Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Ballet Hispánico, the nation's premier Latino dance organization, returns to the ...

New York City Ballet opened its six-week winter season Tuesday with “Apollo” (1928), a ballet about the creation of art. Choreographed by George Balanchine to a classic score by Igor Stravinsky, ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. In what has become an "enjoyable tradition during the holiday season" (The ...

The curse of Apollo strikes, however. That is Balanchine’s Apollo, still as shockingly new and explicitly thrilling today as it was 85 years ago, and - as an opener on the triple bill - putting down a ...

His three muses were a mixed blessing—but not mixed enough, too undifferentiated in height and appearance. Tiler Peck danced impeccably (as she always does), but for me Terpsichore is both more leggy ...

Debussy caresses your ear, majestic Stravinsky, teasing Milhaud, Lalo like a large stuffed brocade sofa. How is it that this kind of evening is not typical of the ballet? English National Ballet, as I ...

Performances in N.Y.C. Taylor Stanley may be troubled by self-doubt, but he has become an invaluable dancer at New York City Ballet. Now he takes on one of the most difficult and storied male roles in ...

And it's easy to see why George Balanchine's seminal work seemed like a dance from the moon when Serge Diaghilev's Ballets Russes first performed it in 1928. At its Houston Ballet premiere Thursday, ...