Should we look at digital, computer-generated artwork in the same way we evaluate performative happenings? Can electronic generative art be interpreted as performance with machines instead of bodies?

Grace Hertlein’s collection is “a kaleidoscopic snapshot of the early decades of an art historical and technological phenomenon.” Courtesy Sotheby's It’s Geek Week at Sotheby’s—the auction house’s ...

Forbes contributors publish independent expert analyses and insights. I write about what happens when culture + crypto connect. Miami Beach Art Basel first opened its doors in 2002. In the 20 plus ...